why is sex so important to you guys all the time

[bardy]

well

[aurel]

Because you're a princess.

[twice]

because pussy is hot

[PkPhuoko]

oh look, a female trying to downplay the importance of sex how fucking typical

[aurel]

WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also
WELL (virtual community)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

The Whole Earth 'Lectronic Link (or The WELL) is one of the oldest virtual communities in continuous operation. It currently has about 4,000 members. It is best known for its Internet forums, but also provides email, shell accounts, and web pages. The discussion and topics on the WELL range from the deeply serious to the generally silly, depending on the nature and interests of the participants.

Contents [hide]
1 History
2 Topics of discussion
3 Policy and governance
4 Joining and reading
5 Journalists on The WELL
6 The WELL in the news
7 Publications about The WELL
8 See also
9 References
10 External links



[edit] History
The WELL was started by Stewart Brand and Larry Brilliant in 1985, and the name is partially a reference to some of Brand's earlier projects, including the Whole Earth Catalog. The WELL began as a dial-up BBS, became one of the original dial-up ISPs in the early 1990s when commercial traffic was first allowed, and changed into its current form as the Internet and web technology evolved. Its original management team—Matthew McClure, soon joined by Cliff Figallo and John Coate—collaborated with its early users to foster a sense of virtual community. From 1994 to 1999 the WELL was owned by Bruce Katz, founder of Rockport, a manufacturer of walking shoes. Since April 1999 it has been owned by Salon.com, several of whose founders such as Scott Rosenberg had previously been regular participants there. Gail Ann Williams was hired by Figallo in 1991, and has continued in management roles into the current era.

Notable items in WELL history ******* being the forum through which John Perry Barlow, John Gilmore, and Mitch Kapor, the founders of the Electronic Frontier Foundation, met. Howard Rheingold, an early and very active member, was inspired to write his book The Virtual Community by his experience on the WELL. Craig Newmark started his original Craigslist mailings there. The WELL was a major online meeting place for fans of the Grateful Dead, especially those who followed the band from concert to concert, in the late 1980s and early 1990s. The WELL also played a role in the book Takedown about the pursuit and capture of Kevin Mitnick. Founded in Sausalito, California, the service is now based in San Francisco.

In August 2005 Salon Media Group announced that it was looking for a buyer for the WELL, in order to concentrate on other business lines. In November 2006, a press release of The WELL said, "As Salon has not found a suitable purchaser, it has determined that it is currently in the best interest of the company to retain this business and has therefore suspended all efforts to sell The WELL."[1]


[edit] Topics of discussion
The WELL is divided into general subject areas known as conferences. These conferences reflect member interests, and ******* arts, health, business, regions, hobbies, spirituality, music, politics, games, software and many more.

Within conferences, members open separate conversational threads called topics for specific items of interest. For example, the Media conference has (or had) topics devoted to the New York Times, media ethics, and the Luann comic strip. An example of a local conference is the one on San Francisco, which has topics on restaurants, the city government, and neighborhood news.

"Public" conferences are open to all members, while "private" conferences are restricted to a list of users controlled by the conference hosts, called the ulist. Some "featured private" or "private independent" conferences (such as "Women on the WELL" and "Recovery") are listed in the WELL's directory, but are access restricted for privacy or membership-restriction reasons. Members may request admission to such conferences. There are also a large number of unlisted secret private conferences. The names of these conferences are public, but the contents, hosts, and members are restricted to members of a particular conference. Membership in private conferences is by invitation. WELL members may open their own new public or private independent conferences.


[edit] Policy and governance
The directors of The WELL have included Matthew McClure and Cliff Figallo, both veterans of the 1970s commune called The Farm, and since 1998, Gail Ann Williams, previously known as one of the principals in the political satire group the Plutonium Players. Collaboration, counterpoint and irreverence are respected values in the WELL community, nurtured by these unusual leaders over two decades.

The community forums, known as Conferences, are supervised by conference hosts who guide conversations and may enforce conference rules on civility and/or appropriateness. Initially all hosts were selected by staff members. In 1995, Gail Williams changed the policies to enable user-created forums. Participants at the Complete membership level can create their own independent personal conferences—either viewable by any WELL member or privately viewable by those members on a restricted membership list—on any subject they please with any rules they like.

Overall support and supervision of the conferencing services is handled by several staff members, often referred to collectively as confteam, the name of the UNIX user account used by staff for conference maintenance. They have more system operational powers than conference hosts, along with the additional social authority of selecting featured conference hosts and (rarely) closing accounts for abuse.

WELL members use a consistent login name when posting messages, and a non-fixed pseudonym field alongside it. The pseudonym (or pseud in WELL parlance) defaults to the user's real name, but can be changed at will and so often reflects a quotation from another user, or is an in-joke, or may be left blank. The user's real name can be easily looked-up using their login name. WELL members are not anonymous.

There is a time-honored double meaning to the WELL slogan coined by Stewart Brand. "You Own Your Own Words" or ("YOYOW"), members have both the rights to their posted words and responsibility for those words, too. (Members can also delete their posts at any time, but a placeholder indicates the former location and author of an erased or scribbled post, as well as who scribbled it.)


[edit] Joining and reading
WELL membership is available to almost anyone, but requires a paid subscription and use of one's real name. Most postings on the WELL can be read only by members; however, there are some external member web sites, and a few publicly readable conferences:

inkwell.vue, an interview conference featuring online conversations with artists, journalist and authors such as Neil Gaiman, Bruce Sterling and Farai Chideya.
pre.vue, a catch-all where WELL members post tidbits of all kinds.
deadsongs.vue, a conference to discuss Grateful Dead song lyrics.
Forums can be read using a regular browser or by logging into a command-line UNIX system via telnet or secure shell and using a classic text-based interface called PicoSpan.


[edit] Journalists on The WELL
The WELL was frequently mentioned in the media in the 1980s and 1990s, probably disproportionately to the number of users it had relative to other online systems. This has diminished but not disappeared in recent years, with other online communities becoming commonplace. This early visibility was largely the result of the early policy of providing free — comped — accounts for interesting journalists and other select members of the media. As a result, for many journalists it was their first experience of online systems and, later, the Internet, even though other systems existed. Although accounts are now seldom provided for free to journalists, there are still a sizable number on The WELL; for example columnist Jon Carroll of the San Francisco Chronicle, Wendy M. Grossman of The Inquirer, and critic Andy Klein of Los Angeles CityBeat.

The WELL also received numerous awards in the 1980s and 1990s, including a Webby Award for online community in 1998, and an EFF Pioneer Award in 1994.


[edit] The WELL in the news
In March 2007, the WELL was noted for refusing membership to Kevin Mitnick, and refunding his membership fee. [1][2]


[edit] Publications about The WELL
Howard Rheingold, The Virtual Community
(1994) Perennial ISBN 0-06-097643-8 (Hardcover) — ISBN 0-262-68121-8 (2000 revised paperback edition)
John Seabrook, Deeper: My Two-Year Odyssey in Cyberspace
(1997) Simon & Schuster ISBN 0-684-80175-2 (Hardcover) — ISBN 0-684-83873-7 (Paperback)
Katie Hafner, The WELL: A Story of Love, Death and Real Life in the Seminal Online Community
(2001) Carroll & Graf Publishers ISBN 0-7867-0846-8
Katie Hafner's book, expanded from a Wired Magazine article, chronicles the odd birth, growing pains, and interpersonal dynamics that make The WELL the unusual, perhaps unique, online community that it is.
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism
(2006) University of Chicago Press ISBN 0-226-81741-5
"When the Counterculture met the New Economy: The WELL and the Origins of Virtual Community", Technology and Culture, Vol.46, No.3 (July, 2005), pp. 485–512.
Roy Ascott and Carl Eugene Loeffler, Guest Editors, Connectivity: Art and Interactive Telecommunications, Leonardo 24:2, 1991. Includes documentation of early artworks on ArtCom Electronic Network, a WELL Conference and archive started in 1986 by Carl Loeffler and Fred Truck. Artworks created or published on ACEN on the WELL included John Cage, (The First Meeting of the Satie Society) Judy Malloy, (Uncle Roger, Bad Information, Thirty Minutes in the Late Afternoon) Jim Rosenberg,(Diagram Series) and Sonya Rapoport. (Digital Mudra Online) Connectivity: Art and Interactive Telecomunications includes papers about art on the WELL by Ron Buck, ("Poetry Online") Carl Loeffler, ("Modem Dialing Out") Anna Couey, ("Art Works as Organic Communications Systems") Roger Malina, ("FineArt Forum and F.A.S.T.: Experiments in Electronic Publishing in the Arts) Gil MinaMora, ("Hidden Bearers: An Exquisite Corpse Online") and Judy Malloy, ("Uncle Roger, an Online Narrabase").

[edit] See also

[twice]

i like my answer better

[aurel]

If I'm honest I do too.

[ravenguy2000]

biology?

[mxzombie]

evolutionary imperative

[ella]

I haven't had sex in about a year, and I almost don't miss it at all.

[aurel]

Does anyone else get the distinct impression that Bardy has difficulty finding the correct question let alone salient answers to the conundrums that perplex her.

[PkPhuoko]

Originally Posted by aurel

Does anyone else get the distinct impression that Bardy has difficulty finding the correct question let alone salient answers to the conundrums that perplex her.

shut the fuck up

[aurel]

Originally Posted by PkPhuoko

shut the fuck up

Hope you didn't take time out from re-watching 'The Game' starring Michael Douglas to post that.

[ella]

It's obvious that Brady's boyfriend is a sex addict, and she's at her wits end.
We need to ban together and begin intervention.

[Mayfuck]

i used to think it was a big deal not even a couple years ago but now that i'm a little older and get laid a lot i realize its really not a big deal at all.

[duovamp]

Originally Posted by aurel

Because you're a princess.

[Mayfuck]

hell ya i'm the motherfucking princess

[ella]

Originally Posted by Mayfuck

i used to think it was a big deal not even a couple years ago but now that i'm a little older and get laid a lot i realize its really not a big deal at all.

Julio, are you dating someone, or do you just have sex with random girls?

[duovamp]

Originally Posted by Mayfuck

hell ya i'm the motherfucking princess

We should have a princess party. It would be just divine.

[PkPhuoko]

Originally Posted by Mayfuck

i used to think it was a big deal not even a couple years ago but now that i'm a little older and get laid a lot i realize its really not a big deal at all.

Thats how people not getting laid justify not getting laid

[Mo]

Because I'm a teenager.

[Mariner]

Originally Posted by ella

We need to ban together

yes we do

[Lola]

Originally Posted by bardy

well

Bardy, I used to think sex wasnt a big deal too, then I found someone who was good at it, and now sex is a very big deal.

[GlasgowKiss]

no wonder he has to fuck whores in vegas.

[The Jesus]

I sport an erection 24/7 throughout the winter months.

[Pretzel Logic]

and The Jesus makes an appearance!

[Kanan Road]

if it wasnt for sex women would be absolutely worthless

[twice]

oooo a spectacle!

[waltermcphilp]

Originally Posted by ella

I haven't had sex in about a year, and I almost don't miss it at all.

this is how i feel about tv.

[Nimrod's Son]

because true emotional closeness can only be achieved by sharing one's self in the most initmate manner possible

i hope to share emotional closeness with as many people as possible