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Old 08-15-2008, 11:58 AM   #61
Rickpat12
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Yeah about Geek USA...the "She really loves to break" part is fucking amazing. Like right when the song stops...there's like 3 or 4 guitars just getting feedback and the bass brings you back into the song and then a guitar string scratch and then Jimmy's fill, and then BOOM, right back to melting your face.

 
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Old 08-15-2008, 11:59 AM   #62
areyougaffney?
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Originally Posted by Rickpat12 View Post
Yeah about Geek USA...the "She really loves to break" part is fucking amazing. Like right when the song stops...there's like 3 or 4 guitars just getting feedback and the bass brings you back into the song and then a guitar string scratch and then Jimmy's fill, and then BOOM, right back to melting your face.
Yep, you saying that made it pop into my head, yeah awesome. cheers

 
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Old 08-16-2008, 01:23 AM   #63
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For as many times as I've heard "Today" the six or so seconds of rotary guitar effect at 2:28-2:34 (probably a leslie cabinet) is still one of my favorites.

The two seconds of pick scrape at the end of "Rocket" 3:45-3:47 is pretty cool too.

 
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Old 08-16-2008, 01:55 AM   #64
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Quote:
Originally Posted by areyougaffney? View Post
The delays going under the whole of cherry are really nice,
The verses of Porcelina where there are like electronic things going on that sound like electronic waves to me, which are very nice.
*cums*

I think that effect in Porcelina is flange. I love that sound...

Edit: Oops, I'm thinking of Ruby. I realised what effect you mean now. That sound makes me cum even more.

There's a song by a girl band called All Saints called Pure Shores that has the same effect in the chorus I think. It's very naice.


Last edited by Shallowed : 08-16-2008 at 01:58 AM. Reason: :(

 
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Old 08-16-2008, 02:52 AM   #65
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the vocals during the second and last choruses of to sheila are incredible (the frogs sang some harmony in this part as well)

the ending of shame when a bunch of synths come in to create an ambient atmosphere, then fades out (i usually hate fade outs, but it works great with this tune)

the glokenspiel in beautiful

the keyboard that goes with the snare hit during the verses of by starlight

the suttle snare rolls that sneak in towards the end of superchrist

 
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Old 08-16-2008, 04:08 AM   #66
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Originally Posted by MonteLDS View Post
o ha ha ha you're just too funny. o please go on tour
Scathing attack from Monte.

Answer:

UNTIL THE BITTER BITTER END OF THE WORLD YEAHH DOODOO DA DOO DER NA NER NA NER

 
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Old 08-16-2008, 04:31 AM   #67
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God sneeze in bliss.

 
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Old 08-16-2008, 05:09 AM   #68
areyougaffney?
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Quote:
Originally Posted by Pasta of Muppet View Post
*cums*

I think that effect in Porcelina is flange. I love that sound...

Edit: Oops, I'm thinking of Ruby. I realised what effect you mean now. That sound makes me cum even more.

There's a song by a girl band called All Saints called Pure Shores that has the same effect in the chorus I think. It's very naice.



Yeah, it's from the beach soundtrack. I've always though exactly the same. Porcelina's production to me is as strong as any other song they have done I believe and when I 1st heard this song it reminded me ALOT of porcelina's production. I know the producer was someone who working with Madonna at the time...I wonder if he is a pumpkins fan or if the same sounds are just a coincidence, or they were released within 1-2 years of each other I think so it may be new piece of equipment they both used????any ideas??

 
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Old 08-16-2008, 05:20 AM   #69
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phaser....nothing revolutionary

 
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Old 08-16-2008, 07:29 AM   #70
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geek, 1:58, never thought about it but i dont know exactly how they did this..the heavy part of the song just floats away up into the clouds, it's just amazing the transition from rawk noize war to like heaven, haha maybe like the song getting killed in combat, going to heaven only to be reincarnated and come back to the shithole we call earth :lol:

 
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Old 08-16-2008, 08:12 AM   #71
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That's gotta suck cock harder than a vacuum cleaner.

 
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Old 08-16-2008, 01:49 PM   #72
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Originally Posted by Nothing/everything View Post
the small bits of absolute silence at the beginning or end of each zeitgeist song
you're my hero

 
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Old 08-16-2008, 01:49 PM   #73
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i think i made a thread like this once.
one of my better threads.

 
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Old 08-16-2008, 04:00 PM   #74
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The whistful sounding reverb over the vocals on Behold, The nightmare... floaty...

 
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Old 08-17-2008, 12:59 AM   #75
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Originally Posted by JRiordan View Post
Yes, when the main drum and guitar parts come crashing in about 10 seconds before the first lyrics ("To the center of the earth"), I think I have played this louder than any other song ever. Part of it has to do with the Machina production, but mostly it's because it is so so f'n awesome that it needs to be that loud. You cannot appreciate it nearly as much at casual volumes.
Seconded, the beginning of GATGC extremely loud is enveloping.

Also I love the piano in For Martha especially the part starting at 3:55.

One of my favorite moments on SD is the quick little snare that comes in right after Soma to begin Geek.

 
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Old 08-17-2008, 01:05 AM   #76
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i like that bit in that one song and it's like dunna dunna DUNNANUHDUNN!!!! dunna dunna DUNNANUHDUNN!!! PAP!PAP! BEEEEOOORNNNABEEEEORN freak out!!! gibbons

 
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Old 08-17-2008, 01:10 AM   #77
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i think i made a thread like this once.
one of my better threads.
remember your roots

 
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Old 08-17-2008, 01:16 AM   #78
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where's vince

 
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Old 08-17-2008, 01:40 AM   #79
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does the cover of stay from the bridge school showcount?
Oh my god the whole rendition of the song is amazing.

 
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Old 08-19-2008, 08:36 AM   #80
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Quote:
Originally Posted by avsfan7733
where's vince
YOU FUCKER WHERE ARE YOU!?!?

I like French Movie Theme lately. Makes me want to listen to a few more of the old instrumentals. He hasn't done an instrumental track since the intro to Mellon Collie... or if you really want to count it... 17 on Adore.

Quote:
Originally Posted by WhatCola
i love the the start of muzzle. the sound reminds me of muzz
Muzzle has a great intro. I think it's more "anthem rock" than anything of Siamese.

 
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Old 08-19-2008, 08:50 AM   #81
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Quote:
Originally Posted by Luke de Spa View Post
BEEEEOOORNNNABEEEEORN
this made me think of the beginning of the starla solo.

Quote:
Originally Posted by IWishIWasBlank View Post
He hasn't done an instrumental track since the intro to Mellon Collie...
le deux machina (which i like btw)
and pale scales, wherever he's hiding it.

 
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Old 08-19-2008, 08:53 AM   #82
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Oh yeah, and I was just listening to MII the other day in the car.

Well, it's more creepy than ethereal. I was kind of looking for trippy or ethereal really.

 
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Old 08-19-2008, 11:56 AM   #83
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All of the subtle harmonies on Adore.

 
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Old 08-19-2008, 01:11 PM   #84
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the little camera-shutter "chk chk ch-chk" before the 1st verse of waiting. genius

 
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Old 08-19-2008, 01:12 PM   #85
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i actually really love this song.

 
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Old 08-19-2008, 01:17 PM   #86
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ARF ARF


 
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Old 08-19-2008, 01:30 PM   #87
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Originally Posted by avsfan7733 View Post
where's vince
Quote:
Originally Posted by IWishIWasBlank View Post
YOU FUCKER WHERE ARE YOU!?!?
.

 
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Old 08-19-2008, 02:48 PM   #88
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The "please don't change" part in Pug is brilliant. Well, the whole song, really, but especially that part.

 
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Old 08-19-2008, 04:55 PM   #89
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The chorus of the Tale of Dusty & Pistol Pete- "... Let the waste cross the ancient trails to you,
far out beneath the sorrow clouds, let them taste the bitter lost mistake of you... let them cry out through your rusted scars..."

Floating on air with that shit!

Another that give me a similar feeling: The change/outro of The Last Song, "... could you find your way across me?"- part. With BC Sr.'s lead guitar lines. Just a very special song.

 
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Old 08-19-2008, 04:58 PM   #90
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i love the the start of to forgive. the sound reminds me of to f

 
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